Thursday, April 12, 2012

Questions & Initial Research for Project 4

Project 4 requires the development of a wayfinding/navigation/signage system for the Harmon Fine Arts Center on campus. We had a brief Q & A with Marilyn Dean today and here are some key points I noted:

-The Community School of Music (~800 participants) meets weekly in the building, typically on the 2nd floor. Instructors and students are both confused about where to go and what parts of the building they have access to.

- One of the largest issues is how to navigate visitors from the Weeks Gallery / South Entrance to the offices in the building (mainly 2nd floor north-side). Other key issues are navigating the many stair-corridors with their many inconsistencies and the poor room numbering system.

- South entrance and North entrance aren't marked clearly enough for visitors to understand the difference

- Parking Lot 1 is the typical parking area for visitors.

- Jazz center only has exterior access and has minimal signage

- Students generally approach the building from the west, whereas guests typically approach from the east.

- The theaters and classrooms are likely the most-used areas of the building.

- Events are listed online with their location, but no where in the physical building itself

- The user of the building can range from child to the elderly, so navigation needs to be intuitive and simple.

Some Inspiration / Concepts for Wayfinding & Navigation:




DesignWorkPlace's Introduction to Wayfinding & Signage Design





Other Map/Signage Designs:







Tuesday, April 10, 2012

Project 3 Synopsis

Project 3 was a challenging application of the brand identity which was developed for Project 2. Considering actual products (one of which was assigned) allowed me to test how my identity could be executed in a practical situation. Thankfully, my brand identity was cohesive enough that the design process was intuitive and fairly unproblematic. After concepting different ways in which to package the product ( in which my goals were to use minimal materials and express both the form and function of the object), I was able to produce a variety of approaches for each packaging layout.

Once I attempted to construct the packages, I found that my second package design (for the pizza cutter) was problematic. After consulting with students and Prof. Fender in critique, a solution was found in using tabs to hold each plate of the encasing packaging together, and then to use a strip to encircle the disc and hide the tabs.

Once the packaging plans were finalized, I tweaked parts of their aesthetic compositions. I added an instruction illustration on the Pico design, and included elements in the pizza cutter design which were drawn from pieces created for project 2. The final designs fit perfectly with my established brand identity.

I had little trouble developing a mock-up Pico for the final pieces, but the pizza cutter became problematic. I tried to find different clays to mold a handle for the pizza cutter, yet I could not find anything affordable that could harden into a form in the stores I visited. Later I bought a few items with pre-made handles on them and tried to cut them to fit similarly to the eva solo pizza cutter, but they would not keep the appropriate shape or size. I decided to scrap the handle, but for sake of expressing function I created a pizza cutter blade out of cardboard. I gave it dimension and covered it with an image of a metallic texture. I also cut a hole from which the blade could be hung (which corresponds to the original design of the eva solo pizza cutter).

Final production was difficult but acceptable. After creating several mock-ups my confidence seemed to improve and my careful cutting and gluing became more accurate and fitting. I have never been strong in the technical points of production, but I improved greatly while practicing creating the packages for this project. The final works aren't free of error but are the best results I was able to achieve over several attempts. I believe a large part of the difficult in production came in the fact that I needed to match up curvilinear shapes to one another. In a real-world situation these packages would likely be die-cut with complete accuracy.

This project was a valuable experience not only because it allowed me to work with packaging design in a new way, but because it required serious conception and consideration for the consumer and product itself. The care needed to create packaging for these products can be applied to various other design projects beyond the world of packaging design. The continued efforts in forging the final mock-ups allowed me to improve my production skill. I have learned when working on future projects that require producing physical pieces I will continue to practice production throughout the process, as I did for this project.

Final Work for Project 3

Here are the final designs and produced versions of the packaging for both the Mono Pico and the Eva Solo Pizza Cutter.

Pico Packaging Front
Pico Packaging Back
Produced Pico Package

Eva Solo Pizza Cutter Design
Produced Pizza Cutter Package (was not able to produce handle)

Tuesday, April 3, 2012

Packaging Designs / Plans for Critique

Pico Packaging Front 1

Pico Packaging Back 1

Pico Packaging Front 2

Pico Packaging Back 2

Pico Packaging Front 3

Pico Packaging Back 3

Pizza Cutter Packaging Concept 1

Pizza Cutter Packaging Concept 2

Pizza Cutter Packaging Concept 3
I have completed three layouts for both the Pico and Pizza Cutter packaging. I am looking forward to feedback on the design so that I can choose which elements to move forward with and continue to refine them as I tackle other production issues. My other questions for critique are whether or not the Pizza Cutter needs a diagram or informative element on how to use the item. It seems very self-explanatory but I don't want to over-estimate my consumers.

My main focuses for production were to use minimal construction elements that are conservative in space, in opposition to a less functional box that has unused space at the corners. I also wanted to use the objects' facets and form to strongly influence and come across in the packaging design. Finally I wanted the object to be visible and allow the consumer to fully grasp not only the function but the aesthetic of the product.